The beautiful lilt of a Scottish accent. It’s a wonderful thing to hear, but as I have discovered, an absolute headache to spell Scots dialect words so they sound just right to the ear.
How to write Scottish characters: with an authentic sounding Scottish accent, your character’s dialogue must contain the correct Scots words, to really bring the people of Scotland to life. Authors writing books in Scots must maintain the Scots language for their entire length, in their chosen Scottish dialect.
The Scots language consists of four main dialects: Insular, Northern, Central, and Southern. Many sub-dialects exist across Scotland, which in turn also have their own local Scots accents. For example, a Glasgow Accent, is a local variant of the West Central Scots accent, which in turn is a sub-dialect of the broader Central Scots dialect. These variations need to be taken into account when learning how to write a Scottish accent.
You would think writing dialogue for Scottish characters would be an easy thing for me to do, seeing as it’s my default childhood accent. But apparently being a Highlander comes with some distinct quirks, pronunciations and words that seemingly aren’t used outside of the very north of Caithness.
Authors: You will find a handy alphabetical Scottish Accent Guide at the end of this article that lists the key words I use to create Scottish dialogue for my story characters. This is a useful starting point for writers looking for written examples of how to write a Scottish accent. Bookmark this page for quick reference.
(Bonus: I have also included a quick reference guide to a few of my favourite Caithness words and phrases at the end of this blog post)
For those writers who wish to gain a deeper understanding about the quirks and intricacies of the Scottish accent and how I created this list from my own personal journey of writing Scottish stories, then read on.
While writing a collection of stories based in the Highlands of Scotland, I was faced with having to spell every word with the authenticity that I used to pronounce it with growing up. After living for 21 years down in England though, and moving around a lot, my own Scottish accent had changed to something unique.
I followed the family tradition of spending our childhood in the north of Scotland, before moving away and joining the military. Like me, my father went to Wick High School in Caithness, before moving away to join the army (though I joined the RAF like my uncle). Eventually we all make our way back to Scotland, but not before going off to explore the world. And those family members who never left Scotland make fun of our changed accents.
When I first moved down, nobody could understand me. Coming from Wick, I had a broad Highland accent and a vocabulary that you won’t find in any dictionary. One example, I would say “D’ye ken…” (as in, do you know) and everybody thought I was saying “Chicken”.
Even my own family down there had to listen really carefully, and I found myself deliberately putting on an English accent in order to be understood. It was frustrating for me, having just turned 16, to not be listened to (or thought of as the mad guy that went around saying “chicken” all day). And even though I was proud of my Scottish accent, I had no choice but to work on overcoming what had now become a barrier for me.
Over time this deliberate changing of my accent became my norm, a mixture of both Scottish and English. This was further chipped away when I joined the military. Exposed to accents from all over the UK, we all began to speak like each other, stealing words and inflections here and there.
And I didn’t just live in one part of England, I travelled about, a bit of time in the West Midlands, East Midlands, South Coast, Northampton, Coventry and then the last five years in The Cotswolds, with their gentrified Oxfordshire Queen’s English-esque newsreader accents (or so it sounded like to me). Not to mention the time abroad, travelling around Europe, a month in Norway here, a month in Belgium there, a total of eight months in Northern Ireland.
My English friends could still hear the Scottish accent, especially after a whisky or two. But my Scottish friends could mostly hear the English accent. Moving back to Scotland, to Ayrshire, my Scottish accent has started to come back. And I can finally be understood again, no matter which accent slips out my mouth – though I still get funny looks when it switches mid-sentence, or my brain attempts to speak both pronunciations at once!
The idea for this blog post came about from a conversation I had with friends and family who had just proofread the first draft of my short story based in Wick, containing two Scottish characters. I had attempted to balance readability, while still allowing them to speak their native Scots language.
And I had failed.
Reading it aloud, it was obvious that the spellings looked correct, but didn’t sound quite right to the ear when spoken out loud. This is where the can of worms was opened. Now living within the West Central Scots accent area, it had influenced the way I wrote. I hear the Ayrshire and Lanarkshire words (awa, braw, wean), mixed with Glaswegian influences, as we are so close to the city.
So here’s an example of what I was facing, and what other authors will have to wrangle with when writing their own characters with a Scottish accent:
The word ‘what’. I had decided to used ‘whit’. However, this didn’t sound right in certain circumstances. This is where we realised the singular ‘what’ and the plural ‘what’s’ became different spellings entirely, with the plural becoming an Aberdonian-esque ‘fit’s’. So the general rule is, for the North East of Scotland, drop the Wh and replace it with an F. However, even that rule was broken from time to time. And changed yet again depending where the word came in the sentence, with Fit’s at the start and Whit at the end.
Plural: What’s that about = Fit’s ‘at aboot
Singular: My car, that’s what! = Ma car, thas whit!
Rulebreaker: What are you on about = Fit ye on aboot
This is the best my 90’s era Highlands proofreaders and I could come up with. Even the word that was spelled differently in two of those sentences. The basic premise of my North East Scotland accent is to say as many words as you can, as quickly as possible! This means dropping most the letters in a sentence and stringing the words together!
As my friend said: “Am joos realizin’ it’s pritty hard til capture eh auld week axeint.”
And he wisnae wrong. Cos we dinny joos add n’ ‘ae’ on eh end o’ stuff n’ be done wi’ it.
Adding an ‘ae’ onto the end of words seems like a simple fix. But we quickly realised that, while the ‘ae’ works well for some words like dinnae, it doesn’t work for gonnae, because we actually pronounce it gunna. So am no gunna dae that.
But then the ‘ae’ gives it a more Glaswegian Accent/Central Belt sound. Like the TV show Chewing the Fat: Am gonnae no dae that. But the Highland lilt lifts more at the end of certain words. So to recreate the quicker lift, we went with dinny. And ‘disny bother me’ works for us. And can’t becomes canny, rather than cannae.
When writing Scottish dialogue for my story characters, I always think of the Scots words I have used my whole life that may seem random or alien to those not raised within my own Scottish dialect area. For example, I have never in my life called a seagull a seagull or gull. It’s a scorrie. Even Wick Academy Football Club are nicknamed The Scorries. But everywhere I have ever been, even over here in the west of Scotland, they haven’t got a clue what I am on about if a wis til say a scorrie scoot on ma heed.
When creating your own characters, you’ll have to decide whether or not to include these colloquialisms within your dialogue, balancing authenticity with being understood by a broader audience.
Given everything discussed so far, my friends and I decided to create and agree on the spelling of our own dialect. This is the freedom that writers have when writing dialogue. These are my characters, this is how they speak. As long as it is believable and consistent.
There’ll no doubt be people who still think we haven’t got it quite right, but then there’s words that even people who live in the same town pronounce differently.
And the reason for that? Dialect changes over time.
The words my grandparents used, weren’t the same words my parents used, which again were changed slightly by my own generation. So Scots dialect pronunciations and even entire Scottish words become generation-based.
An example of this is my grandparents generation used to say ‘laskie‘ and ‘boygie‘ when referring to girls and boys respectively. However, the generation above me would say ‘lassie‘ and ‘chiel‘. Then my own generation kept ‘lassie‘, but it seemed more common to say ‘loon‘ or ‘guy‘ for a male. And that’s just the changing influences within my own family.
Every generation of kids always seem to make up their own words and phrases that define their era. So you end up with different accents and a mix of dialects and words, with people in the same town, at the same school, even living in the same house, having different individual influences.
A can of worms.
So it seems there can be no singular writers guide to Scottish accents. When you get handed a dictionary or guide to Scottish dialects, you have to pay attention to the age of the writer. Want to write a book set in the distant past of the highlands? You’ll be using different spellings and words than if you wrote a contemporary story of modern day Highland life.
So what I have also learned is that, if you want to have an authentic sounding Scottish dialect for your characters, then where possible you need to ask people from that specific area, and from the correct age group. Don’t ask a Scottish person from any other dialect region. My family and friends from across Scotland started sharpening their claymores to tear apart the Scots dialogue of my book characters because they all swore they had the one true Scots to rule them all – ‘there can be only one!’
There are already many books written in Scots. But when the dust settled, we attempted to make a glossary or dictionary of Scottish words to use solely for my collection of Scottish short stories, consistent within their specific Highlands time period of circa 1995, as authentically true as we could achieve.
Here’s some o’ whit a bunch o’ weekers came up wi’. Even though the written examples of a Scottish accent are fixed in their own time and place, it can serve as a starting point for a Scottish accent guide.
|Word/Phrase||Scottish Written Example|
|And||An or An’|
|Can’t||Canny (Cannae further south)|
|Didn’t||Didny (Didnae further south)|
|Doesn’t||Disny (Disnae further south)|
|For||Fo’ or Fur|
|Hundred||Hunner (debated with hunnert)|
|Just||Joos or Jus’|
|Man||Min (sentence ending)|
|No||Nae or Naw (depending on sentence)|
|The||Eh (or drop a letter e.g. th’night)|
|To||Til or Tae or T’ (til do, tae go, t’get)|
|What||Fit or Whit (depending on context)|
|You||Ye (You’se for multiple people)|
This covered enough bases for me to write consistent and believable dialogue. Most importantly, it sounded right for the time and place of the characters. This was how my friends and I spoke at our specific age, in this specific year, in our specific place.
So then I simply sprinkled the speech with the Scots language spelling of a few swear words and my characters were complete, but you’ll have to buy the book to read those!
All I have left to say is, Irvine Welsh, I felt your pain of trying to spell the raw Scots dialect in a true manner. Who would have thought it would be so difficult to write in my own natural accent.
Fit’s eh crack eh day?
I have included this quick reference list of some of my favourite Caithness dialect words and phrases. They are taken from across a variety of time periods, so represent a broad range of generational use, but are Scottish words that I was familiar with growing up, but didn’t make it into my story.
|Peep||To cry or weep|
|Skirl||To scream or screech|
|Ben||Through (to the other room)|
|Drookid||Soaked (by rain)|
|Neep||A turnip, or slang for a person’s head|
|Clapshot||Mix of cooked neep and tatties|
|Gluff||A sudden fright|
|Keich||Dung or turd|
|Skifter||A light covering of snow|
Read the book launch blog post for yourself to see how the Scots dialogue turned out for the characters in my Scottish short stories: Mysteries and Misadventures: Tales from the Highlands
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Aaron Mullins (@DrAaronMullins) is an award winning, internationally published psychologist and bestselling author. Aaron has over 15 years experience in the publishing industry, with expertise in business strategy for authors. He owns Paperjoy Press, a publisher specialising in books that support mental health. He previously owned Birdtree Books Publishing where he worked as Editor-in-Chief, partnered with World Reader Charity and taught Academic Writing at Coventry University. Aaron’s book How to Write Fiction: A Creative Writing Guide for Authors has become a staple reference book for writers interested in a publishing career.
Think my head hurts after flipping between the accents!
Well done Aaron!!
Would you suggest writing without the accent/dialect then making the appropriate adjustments once completed?
Hi, I would suggest writing with a Scottish dialect, and then reading it out loud, to see if the Highland dialect sounds right to your ear, for the time period you are writing in. Hope that helps! :)
I’m trying to write a story based in Scotland 50 years in the future. I’m Canadian so I don’t have much experience with Scottish accents. Do you have any tips you could lend me?
My recommendation would be to use the current Scottish words, phrases and dialect of your book location, then add some new ones. Scottish dialects will continue to evolve over time and new words will emerge amongst younger generations. So pick a couple of words to replace within your dialogue, that will signify that it is 50 years in the future. A popular one that writers like to do is replace swear words with words that don’t exist. For example ‘Whit the faik’ would be a new, uncommon spelling, but can still associated with a Scottish accent. Which might be in common use in the future. Fantasy and sci-fi writers also use this trick when referring to Gods they have created, to really get across a sense of being in a new world or in the future. For example, ‘By Velhellias, you will pay for that’. The great thing is, you get to decide which new words will signify to your reader that this story is set in a future you have created. Good luck with your writing :)
This was so helpful. I have a highly popular webcomic and am about to introduce a new character. My Irish friend suggested making her Scottish and I remembered how awesome Rahne from ‘The New Mutants’ comic was and how well they wrote her as Scottish. I started googling how to write for Scottish characters and came across this. So informative! Thank you so much!
You’re welcome! Thank you for the lovely feedback, you would think I would know how to write a Scottish accent easily, but it was still a fun challenge. Good luck with your webcomic and writing your new Scottish character :)
I’m writing a fantasy novel and wish to include a character with a Scottish accent. Do you think that would be considered “linguistically racist” or insensitive, especially writing as a non-Scot?
I think that writing in a Scottish accent is actually a common theme for fantasy novels. This is due to the deeply embedded high fantasy trope of Dwarves speaking with a Scottish accent. So it’s very much a creative choice by writers which accent their characters have. Authors can write in any accent they choose, or even make up entirely new languages, as long as their characters remain believable to the reader. I think the more important aspect is learning how to write a Scottish accent for book characters who aren’t Dwarves, in a fantasy setting, and deciding whether you will break from tradition or not.
I’m writing a story about a horse and a girl and it takes place in England. Her friend/neighbor is Scottish and I really like writing with an accent so this has been useful and fun. Thank you.
Learning how to write a character with a Scottish accent is a lot of fun! Good luck with your story :)
This is super interesting and helpful. I noticed your word list includes equivalents for “didn’t” and “doesn’t,” but what about “don’t”? Donnae? Dona? Thanks.
Hi Elisabeth, for the word ‘don’t’, if you are writing a Highland Scottish accent, then I would use ‘dinny’. But if you are writing a book character from the central belt or further south, I would use ‘dinnae’. I hope that helps!
I’ve seen “I” written as Ah and A’y and Am…. any guidance?
Hi Lee, when writing a Scottish accent, the best advice I can give is to keep it simple. Therefore, I would use “A” in place of “I”. This fits in with the Highland Scots dialect list above, where the words I’ll (A’ll) and I’m (Am) have simply replaced the I with and A to create the Scottish accent. I wouldn’t use A’y as it is too close to Aye (or Ay, meaning yes). And ‘Am’ is already used above as meaning I’m. If it’s at mid-sentence, than you could add an apostrophe after the A too: “Fit am a’ gunna dae” (What am I going to do). But personally, I just use the letter A in place of the I.
How would you say, “It”?
Also, I’m confused on the best times to use either variation of “the.” Which is more common?
Also, do I always chop off the “g” on “ing” words?
You also don’t need to chop the ‘g’ off of all ‘ing’ words to sound Scottish, but doing so does give a quicker, sharper ending to words that is often associated with writing in a Scottish accent.
Hi, I would use the word ‘It’ as it is at the start of a sentence. It or It’s is fine when writing a Scottish accent, though sometimes you can remove the need for the word all. For example, ‘What is it?’ could just be ‘Whit?’ There might be different Scottish regional dialect variations of this though, depending what type of Scottish accent you were going for.
Thanks Aaron this will help immensely, creating an action/survival/ adventure manga and my story narrator and dwarves will have a Scottish accent and I wanted a highland accent also, my last name comes from a highland clan I’m pretty sure haha can you recommend any older highland dialectic also for the elder dwarves they live a long time